Review from Hardcore Norfolk:
Another offering by Dave Allison’s label, Pete International Airport puts the “p” in psychedelic. This Portland, OR, experimental solo project by Peter Holmstrom of the Dandy Warhols came out of the six-minute song by the same title, written back in 1997. Besides the obvious nod toward the Warhols, Holmstrom seems to also have a penchant for witty song titles, reminding me of the New Bomb Turks’ way with words. I’m sure that’s not deliberate though.
The disc begins with “Sweetheart Tattoo,” an oddly catchy little number, especially considering the heavily sedated vocal styling. It sounds dreamy and trippy, as if you were super stoned and trying to come to some sort of reality. The chorus seems to be the song title only, and although you can’t really even make out what is being sung, the handclaps and finger snaps help. “21 Days” starts off like a tune Brian Jones would pen if he were still alive, before turning into a Happy Mondays meets Love and Rockets style song. With “Beatle Boots & Battle Scars,” a creeping, trancelike, dance state is evoked.
Very bright, jangly, and dreamy, “Mark Twain Shoe Shine” is a subtle booty shaker. Its samples, backing “oooh’s” and occasionally ripping guitar make it an interesting one. “Starlight” sounds like an epic journey, with soothing, whispered lyrics and bells. A heavily distorted number, “New Eastern” does have a bit of an exotic vibe, with bizarre baby-like chanting, along with a bevy of assorted percussion and samples. The tempo switches with the instrumental “Hispanic Bee,” including some traditional Latin instrumentation and erratic, sampled beats.
Not to be confused with the great Fugazi song by the same name, “Repeater” is almost the opposite, clocking in at over seven minutes. It’s full of ambient noises, atmospheric effects, and what almost sounds like the back-masking of tracks. “Idioms for Dummies” is a bit more my style. It reminds me of the garage band in that “Welcome to the Dollhouse” movie, which makes it instantly my favorite on this release. It sounds the most rockin’, with sexy vocals and danceable beats. Reminding me a little of “Dear Prudence” by The Beatles, “George the 2nd” has some great tambourine and bells that carry the tune, while “I Care” is a ten-minute tome that closes out the disc nicely.